BREAK DOWN THE WALLS |
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Oriol
Rius - Barcelona,
2004
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Esparreguera, 1944 - Bellcaire d'Empordą, 2011
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THE
WALL - Exhibition in the Montcada i Reixac's Auditorium. The mayor of Montcada i Reixac (Barcelona), in his greeting in the catalogue of the exhibition, says that I speak about walls that do not sort out, but, on the contrary, join through the sensitivity. I like this reading. In the work that I show you beside these lines some stylized persons, of lead and faceless, break down and win the prefabricated walls that encircle Palestine. Hopefully we can soon look at them without walls through the middle, and without be ashamed because of our insensibility. The
work that gives name to this exhibition, The Wall, plays a very
central roll, not only in this exhibition and in my current artistic work,
but also in my daily life, since I feel very uncomfortable, from my occidental
welfare, in front of the crude and bloody problems of so many people that,
like the Palestinian, or in years past the German, suffer the fracture
and tearing of their land because of a wall that shatters its fields,
families and landscapes.
The Wall wants to be homage to those who suffer and have gone
through the brutality of a wall that cuts their daily life, sorting them
out from relatives and friends, and splitting its earth in two or more
pieces. At the same time, The Wall is a reflection that goes beyond the obstacles created by the man. Since long time ago an image of Albert Camus obsesses me. He imagined the man in front of a wall, incapable of going beyond it as well as of knowing what is behind there. The Wall and the other works-scale models that accompany it are like a wail in front of our human disability for knowledge. Disability that has led us to converting our ignorance and fears into gods. In these small works, walls and gods stagger and collapse. The Aztec pyramid of the moon sinks, and the lares -roman gods that at another time presided over our homes, as nowadays images of buda, saints and virgins still do- join to the slow dawn of gods. They want to suggest –let’s me express in a tautological way- the loss of credibility of creeds and beliefs, which being narrowly tied to each territory and civilization convert the gods into flags and the catechisms in edicts of war. This exhibition leads to the present virtual exhibition at internet about the wall as a source of separation and exclusion. In this site you will find quickly a set of pictures and texts about the walls of Palestine, Berlin, Kuwait..., and of the fortified and walled residential neighbourhoods -the gated communities- that proliferate in Brazil, Chile, Argentina, California and Florida, so as in Puerta de Hierro and La Moraleja in Madrid... You may find also references to less visible walls but more resistant to be pierced and torn down as the ones that exclude “the untouchable” or encircle those who are strangers to us in ghettos, Jewries, marginal neighbourhoods and new apartheids. If you have any interesting experience or picture about these items send it to me. I will joint it to this site. This virtual exhibition will culminate, in turn, in an exhibition/installation about the same subject, at the Technical Architects Society of Barcelona (Col·legi d'Aparelladors i Arquitectes Tècnics de Barcelona), next year. In the meanwhile you can see a collection of my work at oriolrius.info Oriol Rius - Barcelona, March 2004
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